sexta-feira, abril 25, 2014


To put some order in the chaos, or maybe not, I am announcing the release of STOHSPANS 13-14 in Google Play. It is a collection of the songs released in this blog during 2013 and 2014. It is not mixed or mastered properly, but it eventually will be, I hope... Anyway, here it is (free):

domingo, abril 20, 2014

New Song Version

Another version here (from the "TRA" album).


This is a chaotic blog, in the sense that music production follows some weird mood of the author and not some wise marketing decision, such as "finish it and present it properly to the public". I keep repeating this, I know. For instance, I could believe more in my capabilites, try my best to really turn some specific song into something as beautiful as possible, get some lyrics, sing it, get someone to mix and master everything to perfection, invest in packaging and marketing, etc.

It sounds like a lot of trouble, not suited to my life's rythm. So, I will just continue watering my song garden, adding some seeds, watching them grow and occasionally sharing some snapshots, when the mood arrives.

Everyone is invited to modify and create something different from these growing plants. In a way, this blog is pollen. And it is spring, after all.

sábado, abril 05, 2014

Everything is connected, VI.

I recently discovered this english word, "cagey". This should be a funny discovery to any portuguese speaking person and no, I am not telling you why, all you few non-portuguese speaking folks that visit this humble blog, because one of the meanings of this word is exactly "not willing to say everything that you know about something".

I have also been watching, in awe, to Bernstein's 6 Harvard classes on "The Unanswered question". After explaining us the marvels of the connections between music composed by different authors (e.g., the derivation of Wagner's Liebestod from Berlioz's Romeo and Juliet in episode 4, starting at 59:45), episode 5 starts with Ravel's Rapsodie Espagnole which, to my ear, bears some resemblances to Bernstein's "I feel pretty". Yet, Bernstein's says nothing about this, when he could have used that as another example of his point in previous classes. Perhaps he wanted to tell us something about that other pillar of beauty, subtelty? Not telling us everything? Or was it subliminar, unintended?

Now I feel pretty cagey myself.